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Whitewash and Art Protest NYC Outdoor | Creativity Online

Whitewash and Art Protest NYC Outdoor

Activist group covers allegedly illegal New York City outdoor ads with art.

By: Kunur Patel Published: May 1, 2009
From Google Creative Lab's Ji Lee.
From Google Creative Lab's Ji Lee.

To clear space for public communication and highlight what's believed to be the illegal use of public space in New York City, a local activist group whitewashed over more than 12o billboards and replaced the ads with art.

To spotlight allegations that media company NPA Outdoor doesn't hold the proper city licenses for a number of street-level billboards in lower Manhattan, Jordan Seiler of the Public Ad Campaign organized the New York Street Advertising Takeover to reclaim those spaces. On April 25, armed with maps Seiler created to point out the allegedly illegal billboards, 13 groups of two went out to whitewash boards between Canal and 30th streets. Later, more than 40 artists—the "Delete" poster above is from Ji Lee, creative director at Google Creative Lab and former branding director at Droga5--followed to produce art work on the newly ordained public canvases. Two whitewashers, one artist, and one videographer were arrested during the event.

"I don't think anybody is trying to suggest we replace advertising with art work, but that we understand that advertising is a preventative factor for visual communication in our public environment," Seiler says. "If I have something to say as a concerned individual and that needs to written on the wall in some way so that the world knows about it, advertising often prevents that from happening."

Seiler says the idea for the project sprang from his ongoing work with Public Ad Campaign, recent interactions with mashup artist PosterBoy and a personal investigation into the legalities of billboards.

Find photos of NYSAT art work, below, and more on Flickr.

Muybridge High Five by I Am.
Muybridge High Five by I Am.



By Aakash Nihalani.
By Aakash Nihalani.



by Peru Ana Ana Peru and Anera.
by Peru Ana Ana Peru and Anera.

in the war of art vs design ... who will win? ;] ... stay tuned to find out more ...

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Specimen A on the Behance Network

Specimen A
As society advances, our senses become less and less reliable as tools for discerning truth in our surroundings. A piece of fruit that appears wholesome and natural was most likely genetically altered to be larger or have a thinner skin. A piece of furniture which gives the impression of being hand-crafted and unique may have in fact been mass-produced in a factory.

“Specimen A” is a commentary on industry’s attempt to mask the true nature of products via external appearance. At first glance these cocoon-like structures appear organic, yet they are created from entirely man-made components such as thread, lace, handmade paper, burlap, and other fabric. Mechanical cogs and gears are visible as well, tearing through the outer shell to reveal the structures’ suggested identities as disguised machines. The uselessness of these creations, suspended indefinitely within a frame, highlights the perfunctory nature of so many manufactured objects in modern society.

Tom O'Keefe of My Card, My Work tweeted this little deal up from Behance ... amazing work by teegan white that appears to be a completely organic + nonsensical contraption ... sculptural installation that reminds one of semi-purposeless marionettes ... amazing texture ... but hidden just below the surface, tucked away, are these low-fi aspects of machinery ...

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Vimeo Staff Picks

shawn knol on vimeo, supposedly just messing around one day with his canon rebel ... jeez ;]

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Quimby The Mouse

just caught this video posted on The FB by Evan O'Television ... fantastic work by Chris Ware ... my goodness!

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..:: What is DESIGN? ::.. ..:: Designers' Talk Discussions on LinkedIn ::..

10:14 pm - ..:: WHAT is DESIGN? ::.. ..:: Designers' Talk Discussions on LinkedIn ::..

Fred Showker, Editor and Publisher of DTG, recently posted the following question in the Designers' Talk Discussions section of LinkedIn:

My question: WHAT is DESIGN?

So many readers often write to ask about becoming a design professional. Many ask "What is Design" or "What is Graphic Design?"

Among the established definitions you'll find that just about anyone you ask -- you'll get a different answer. So, in the May issue of DTG we'll be asking ...

WHAT IS DESIGN?


My studies at The Dynamic Media Institute at MassArt bring up many questions about design, media, communication and creativity. The question What is design? seemed to perfectly resonate with recent thoughts and discourse with the fantastic community engaged in these discussions at DMI.


Here is my response:

WHAT is DESIGN? What an excellent question. And what an important question to ask ourselves on a daily basis.

Here is my quick interpretation of design ...

First of all, I think of the word design as more of a verb than a noun. An active process. A process that can contain elements of expression, research, planning, thinking, doing, conversing ... but design is best when there is a lot of active exploration, research and process behind the end result.

As a second notion to consider ... here is a layman's linguistic deconstruction of the word as interpreted by someone personally and professionally involved with design for a decade or more. So here is my breakdown by syllable ...

The 'de' part of DESIGN ... 'de' reminds me of the word 'di' in Italian, both in phonetic | aural similarity and in direct translation of meaning ... 'de' = 'of' in English.

The 'sign' part of DESIGN ... 'sign' is the root of the word 'significance'.

Literally translated DESIGN means 'of significance'. More importantly, the interpretation I come away with is something more like the infinitive 'to bring significance'. I think of it as a process where the designer brings meaning ... actually brings something significant to the world. Or at the very least to a certain targeted audience.

So ... in the end, we not only need to ask from day to day the all-important question 'WHAT is DESIGN?', but we also need to continually update and define 'WHAT is the role of a DESIGNER?' ... the answers to both of these questions are shifting and changing more and more often in these times, due in part to the speedy development of new technologies and also immensely influenced by a confluence of so many eclectic fields coming together to define and design new significance, new meaning, new thought, and new methods of communication.


View the original LinkedIn Answers question and responses here: http://www.linkedin.com/groupAnswers?viewQuestionAndAnswers=&gid=92232&discussionID=2742196&commentID=3023128&goback=.hom.anh_92232#commentID_3023128


Current Location: home
Current Mood: [mood icon] accomplished
Current Music: crimeshow television audio backdrop

recent post on LinkedIn ... check it out!

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..:: datamummification + madness ::..

Judith Donath stopped in at Media Tech Tonic sponsored at MassArt's The Dynamic Media Insitute to discuss The Sociable Media Group's latest exhibit 'Connections' at The MIT Museum. A lot of amazing work ... I checked out some of the people involved in the project work earlier in the day ... specifically looking deeper into some of the previous work in visualization and interface design. I particularly enjoyed Alex Dragulescu's 'Spam Architecture' as I had previously attempted to approach the topic of troublesome eMeddlings in my own 'Operation Enduring Email' ...

but seriously folks ... the jist of the discourse tonight centered around a new 'new media' twist on the concept of portraiture ... excellent lecture, fantastic work all around ... i especially loved the participatory installation 'metropath(ologies)' ... such a dream project for me ... the overflow of information projected on a cityscape model, a veritable maze of data + architecture to get lost in ... amazing work + the best of the collection shown at the talk ... i gotta get down there + check it out

i've digressed once again ... so, back to portraiture ... a quick whirlwind history of the portrait as an artform ... a golden bust of royalty from greco-roman times, renaissance-painted realism complete with symbolic items and less idealized facial features, 20th century cubistic renditions capturing a more abstract essence of Picasso's art dealer, and for the 21st century ...

the portrait of the micromoment involved feeds from Twitter, Facebook, LinkedIn, Seesmic and other multivariate social networking sites the your modernday eCitizen gladly pours information into with feverish up-to-the-minute details about the minutae of our daily lives ... 'Data Portraits' took the unsuspecting tweets of the twitterverse to create a portrait visualization of each user ... words { the smallest common denominator allowing some balance between private and public exposure } from the user | participant's tweetstream make up the outline of head, neck and shoulders ... words on the left are from recent tweets, words along the right of the datahead silhouette are the most-used throughout your tweetstream history ... the words of each portrait pop forth from the black backdrop muchlike a smooth data-persona tagcloud, quite literally outlining your wordstream of the moment for you

what strikes me the most about these linear-textual gestural snapshots is the cocoonlike and ghostly bodily presence of each figure ... there's also a wonderful sense of swirling ... the words seem to envelope or mummify a preset human form ... besides certain key words that pop out { i am guessing the word size follows the same sort of rules of frequent use that most tagcloud methodologies implement }, there is little differentiation from portrait to portrait ... the shape of the head, neck and shoulders remains the same ... and the words simply outline or 'contain' the previously human form

at first i thought that the datamummification might be a purposeful artisitic and aesthetic choice ... i don't think i get the sense that my portrait would look that much different than anyone else as far as physical attributes are concerned ... same height, same weight, same shape, same lack of eyes, mouth, ears and hair ... you are your words in these portraits ... you are the ghostly echo-trace of your micro-bloggings ... a bit sobering ... a little scary ... and unless you are lucky enough to have micro-entered some emotionally-laden and unique words over the last year or so, you are just as unique as everyone else on Twitter ...

part of me wants to think these implications are an intentional affect of the visualization as portraiture ... and if nothing else, perhaps we can see this as a subconscious expression of the artists involved ... maybe there is no true participatory auto-magical means to create this sort of portrait ... or perhaps the effect is completely intentional ... a statement about machine-produced { app-influenced } human behavioral modification ... the media we use shapes our behavior, and now we quite literally all itch to tell it all right now ... a sort of electronic OCD ...

another memorable concept that came up tonight was the notion of 'pure knowledge' ... an amazing question from the crowd mentioned Elie Weisel's Zalmen, Or the Madness of God ... in the book a person comes to know God, but not as the bearded, old white guy in the clouds oft-depicted by Michelangelo ... but instead as the concept of 'pure knowledge' ... the question specifically asked tonight had to do with the current proliferation of information 'out there' for all of us to access and whether or not we, as humanity, are reaching a moment of 'pure knowledge' ... my own answer to this concept delves into questioning 'knowledge' ... information is not knowledge ... accumulation of datapoints provides no higher wisdom to the individual or to society at large ... consuming data alone, collecting data does not translate into knowledge or a deeper understanding ... in fact, my personal belief is that knowledge and wisdom are not even closely related ... and neither can ever be thought of as 'pure' ...

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Evelyn Glennie shows how to listen | Video on TED.com

amazing clip that demonstrates the difference between translation + interpretation

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group of 9 | Art Rock kcoR trA

that's Deb + i ... you could probably recognize the shot of Deb from the previous one, eh? ;] ... anyhow ... smiles everyone, smiles ...

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Deb + Chris Mascara @ The Abbey

Deb + Chris Mascara from at least a year back ... just before a rawkin' show at The Abbey ... i think Mascara appears this Friday night { might even be the same venue } ...

i fall out of social circles too easily it seems ... i know i was singin' in the car on the ride into school tonight, thinking about the many open mikes that Deb + i hit up last year w/ our 'art rock' Group of 9 pieces ... it was nice to hurt my throat again after such a long, long time of riding silent on my commutes along the Bermuda Triangle

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